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The FM7’s brilliant user-interface makes FM synthesis understandable, and for the first time, visually intuitive. To get you started, it ships with two patch banks of new sounds, a set of DX patches, and the factory and some additional presets from the original vintage DX7. The FM7 is not just a DX emulator in the form of another software plug-in. It is a genuine FM algorithm synthesizer that takes the concept to the next level!
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The FM7’s brilliant user-interface makes FM synthesis understandable, and for the first time, visually intuitive. To get you started, it ships with two patch banks of new sounds, a set of DX patches, and the factory and some additional presets from the original vintage DX7. The FM7 is not just a DX emulator in the form of another software plug-in.
It is a genuine FM algorithm synthesizer that takes the concept to the next level! It adds distortion and filter operators, extensive modulation capabilities, a comprehensive effects section, audio input and much more to the traditional FM architecture. The first six operators A-F are modeled after the DX-series. Operators are unique to FM synthesis. Each one generates a waveform which can be used as a carrier the sound that is heard or a modulator like the way an LFO is a wave that modulates an audible carrier wave.
Whereas the original DX-synths only used sine waves for their operators, the FM7’s operators offer a choice of 32 waveforms from simple sine to complex TX and formant waves. FM7 has a fully programmable FM matrix in which you can freely adjust the signal routing from one operator to another, and you can even make the operators modulate themselves in a feedback loop. The frequency range, output level, stereo panning, velocity sensitivity, envelope rates, and amplitude modulation assignments for each operator are all easily edited on-screen or via MIDI controller in a way no old DX-synth could ever display!
A graphical multi-stage envelope section borrowed from Absynth allows up to 30 points–that’s way more than just the four points of a standard ADSR envelope. It comes with many preset envelopes, and it can be tempo synced. The last two operators X and Z offer new features not previously seen on DX-synths. Operator X offers a sophisticated noise and distortion generator.
Operator Y has two multimode resonant filters. The FM7 has a remarkable user-interface. There’s also a three digit display next to some LCD emulated display screens and a 6-octave keyboard. Clicking on the main LCD display toggles through a variety of information such as the name of the current patch, CPU usage, or current polyphony usage. There’s also a lot of screen space which has allowed NI to give FM synthesis programming the visual representation it has desperately needed for decades.
Creating your own FM sounds has truly never been this easy! As a stand-alone application, the FM7 is a monotimbral instrument. But when used as a VST plug-in, up to 8 instances can be instanciated for multitimbral or ensemble applications. FM7’s “Pitch” screen lets you adjust global pitch effects like the portamento and micro-tuning.
The micro-tuning feature lets you adjust each note up or down a half step. A menu of preset micro-tunings from “Bagpipes” to “West Africa” shows you the sort of ethnic key scales you can create for your more ethnic sounds! Clean sounding, punchy, and alive! That’s how one could describe the world of sounds FM7 can create. Classic Rhodes and Wurlitzer sounds, percussive sounds ranging from the acoustic to the digitally industrial, synthy basses, leads, pads, strings, bells, drones, pulsing and throbbing effects, and all kinds of ethnic sounds and effects are all just a click away!
It is used by Hans Zimmer.
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VIDEO REVIEW: Native Instruments FM7 | Vintage Synth Explorer
Native Instruments FM8 Download – FM8 delivers unsurpassed sounds for melody Picking up where its award winning predecessor, the FM7, left off, the FM8. Native Instruments FM7 was a high-water mark among FM synths. The FM7 from NATIVE INSTRUMENTS could be the best software synthesizer ever! The FM7 is based upon the classic and legendary sounds of FM synthesis.