Korg Legacy Collection Special Bundle Standalone

Korg Legacy Collection V FULL READ NFO-H2O – xsonarinternetmarketing

Nov 23, As the 20th century drew to a close, Korg entered into computer-based music production in a big way by introducing the Oasys PCI. Oasys is an audio interface and DSP expansion card that was bundled with dozens of high-quality synthesis and effects algorithms. Fewer than five years later, Korg has reentered the virtual-studio arena in an even bigger way.
korg legacy collection special bundle standalone

Korg Legacy Collection Special Bundle Standalone

Korg Legacy Collection 1.0 (Mac/Win)

Nov 23, As the 20th century drew to a close, Korg entered into computer-based music production in a big way by introducing the Oasys PCI. Oasys is an audio interface and DSP expansion card that was bundled with dozens of high-quality synthesis and effects algorithms.

Fewer than five years later, Korg has reentered the virtual-studio arena in an even bigger way. Korg Legacy Collection is a software and hardware bundle that features detailed emulations of three vintage Korg synths, a virtual effects processor, and a fourth synth that serves as a framework for combining one or two synths and effects into a single virtual instrument.

Legacy Collection also includes a device called the MS Controller or MSiC , which combines a USB keyboard with a control surface, offering all of the functionality of a synthesizer”s front panel. MS is a software emulation of Korg”s original MS, a flexible monosynth introduced more than 25 years ago, whose popularity has never completely waned. Polysix replicates a pioneering 6-voice polysynth that Korg first produced in Legacy Cell lets you load one or two MSs, one or two Polysixes, or one MS and one Polysix into a soft synth that is greater than the sum of its parts.

Wavestation resurrects Korg”s original Wavestation family of wave-sequencing synths. The software I reviewed was version 1. Installation and authorization were quick and painless. After I ran the installer and restarted my computer, running any Legacy Collection application opened a License Authorization window, which provided a locking code and linked to Korg”s Web site in my Internet browser. I typed in my personal data along with an authorization code printed on the CD-ROM package, and the site displayed my license code, which I typed into the Authorizer.

Once authorization was complete, setup required specifying an audio output and MIDI input for each software module individually. Both models were monophonic and, much like the ARP a few years earlier, were hard-wired but featured a patch bay for reconfiguring their signal pathways.

The MS, the more sophisticated and more expensive model, offered sample and hold, a ring modulator, and a few other goodies that many of its competitors lacked. A few years ago, Korg paid homage to the MS with the introduction of the MS, a virtual analog synth that built upon its predecessor”s capabilities.

By realizing the MS as software in Legacy Collection, Korg has again updated a classic to fit modern needs and expectations. Unlike its hardware-based forerunner, MS is note polyphonic.

The standalone and plug-in versions of MS are identical, as they are for all the Legacy Collection synths. At the bottom of the user interface are buttons for scrolling though a list of Programs, for selecting from four views, and for writing your program changes to disk.

In the Main view, a 3-D diagram of the entire instrument furnishes access to all the controls and the keyboard see Fig. The function and value of every knob and jack is displayed when you hold the cursor over it, and the value readout changes when you turn a knob. As with other virtual patch panels, you make a patch-cord connection by clicking and dragging from one jack to another, and you break the connection by clicking and dragging away from either jack.

The Edit view fills MS”s user interface with only the control panel. Using a scroll bar or by clicking and dragging, you can slide the window”s contents from right to left, revealing additional controls that determine polyphony, pitch-bend range, and other parameters that the original MS lacked. You can specify how many voices will play in unison and their relative detuning and stereo spread. Two strips in this section, labeled External Modulation, allow you to select from eight sources such as Velocity and Modulation to control any or all of five sources such as filter cutoff, pulse width, or pitch.

Sliding the scroll bar or clicking and dragging in the opposite direction lets you access the patch bay. By enlarging the control panel without enlarging the window, Korg offers an elegant solution to mass-parameter access that other software developers would do well to adopt. Clicking on the Config button reveals the Configuration view, in which you can specify four external modulation sources such as Modulation Wheel or footpedal and their polarities, filter certain MIDI data, and create up to 13 user scales.

The fourth and final View button reveals MS”s list of 32 Programs—not a lot when you consider MS”s capabilities, but I trust that more will be available soon. You can also load and save individual Programs and banks of 32 Programs.

The included Programs are evenly divided between monophonic and polyphonic sounds. Eleven are basses, and the rest are a mix of leads, pads, and electronic effects see Web Clip 1. The Polysix stored 32 Programs and had a reasonably flexible arpeggiator and an onboard effects processor—very hip features in The software version of Polysix replicates its namesake in fine detail, expanding polyphony to a maximum of 32 notes.

In Edit view, however, the controls are rearranged so that they fit more compactly in the window, without the need for scrolling see Fig. One knob that”s unique to the virtual Polysix is labeled Analog; increasing its value introduces slight random variations in pitch and filter cutoff to simulate the parameter drift of analog circuitry. Like MS, Polysix has a Unison mode that the hardware version didn”t have; that”s a great help for thickening up its single-oscillator voices, which were a bit thin on the hardware-based Polysix.

Polysix”s Modulation Generator another name for a sine-wave LFO and arpeggiator sync to your sequencer”s tempo, something else the original could not do. Like MS, Polysix has two user-programmable modulation routings. Also like MS, Polysix includes only one bank of 32 Programs. I assumed that they would be the same sounds that shipped with the original Polysix, but they”re a new collection that includes basses, leads, pads, chords, arpeggios, and synthy emulations of a Clavinet and a Wurlitzer electric piano.

Unless you”re a previous Polysix owner who fell in love with your synth, you”ll probably find Polysix the least exciting software module in Legacy Collection, as I did. Its real value is as a component of Legacy Cell, in which you can add effects that bring it up to modern standards. I”ve owned a Wavestation SR longer than any rackmount synth in my studio, and I couldn”t wait to see if a software version could effectively replace it.

The Wavestation”s forte has always been purely electronic timbres rather than more traditional instrumental sounds. Every Wavestation is a direct descendent of the Sequential Prophet VS, an instrument that pioneered the concept of vector synthesis. On the Wavestation, vector synthesis lets you smoothly shift among four sound sources in real time using a joystick controller. The technique is useful for adding dynamic motion to synthesized sounds.

The Wavestation family lasted for four generations: Wavestation has the same 11 banks found in the Wavestation SR, each containing 50 Performances. It also provides the same 11 banks of 35 Patches, 10 banks of 32 Wave Sequences, and individual waves. The SR stores 32 channel Multis, whereas Wavestation has none. The most significant difference between Wavestation and a Wavestation SR is that Wavestation is not multitimbral.

Wavestation”s user interface is a tremendous improvement over the single-rackspace SR”s. Although it”s more akin to working in a good synth-editing program, it”s better than any software I”ve seen for editing the Wavestation. The main display is the Performance Select page, which shows the keyboard, the pitch-bend and mod wheels, the Vector Position control, a list of 50 Performances in the currently selected bank, and buttons for maneuvering to other banks and pages.

The File button summons more buttons for loading, saving, and importing programs, and the Preview button plays one of five phrases so that you can hear changes without touching the keyboard. Because you can import files from the original Wavestation, you can keep using all those Performances you”ve so meticulously handcrafted over the years.

The Vector Position control is a small ball you click-and-drag within a circle to change the balance of four oscillators—hence the term vector synthesis.

Double-clicking between two corners places the vector halfway between two oscillators. Assigning MIDI Control Changes CCs to control the vector”s x and y axes allows you to change the oscillator balance with a real joystick, a touchpad, or a pair of knobs or sliders.

The Edit button takes you to a page that displays details of the current Performance, including its constituent Patches, transpositions, effects-bus routings, and so on. On the same page, you can edit Key Zones and Velocity Zones graphically. Pressing the Patch button opens a page in which you can edit the selected Patch”s programming details see Fig.

If a Patch contains a wave sequence, you can go to a page in which you can edit its waveforms and crossfades. You can create wave sequences by chaining waveforms to play in succession, one step after another. Each wave sequence can contain as many as steps and repeat as many as times. Using the Vector Position control, you can dynamically crossfade among four wave sequences see Web Clip 2. The WaveSeq Edit page lets you specify a sequence”s beginning and ending steps, loop direction, modulation parameters, and so on, as well as edit each step by selecting its waveform, duration, level, tuning, and crossfade time.

You can also set the duration, level, and crossfade parameters graphically using Wavestation”s Step Display, which is convenient for visualizing the entire step sequence. The WaveSeq Edit page makes editing wave sequences much easier than with previous Wavestations. The Effects button takes you to a display that shows all the parameters for either one or two insert effects. Clicking on an effect”s name summons a pop-up menu showing 55 Wavestation effects, which are identical to those on the hardware version.

They range from stereo harmonic chorus to stereo vocoder and delay. As you edit, a handy Back button toggles between the two most recent pages. After all, I”ve grown accustomed to playing soft synths that sound almost like the instruments they emulate. But as I switched back and forth in my sequencer between playing hardware and software, I quickly lost track of which Wavestation was which see Web Clip 3.

After spending some time searching for a Performance that was noticeably different, I found only a few in which the modulation parameters varied slightly, but the sounds themselves were indistinguishable. Now that Korg has successfully emulated Wavestation in Legacy Collection 1.

I also want to be able to load user waveforms into its oscillators, and I”d like a larger selection of filter types than those that the original offered. For that matter, I wouldn”t mind seeing expanded oscillators and filters in all of Legacy Collection”s synths. MSFX allows you to route audio tracks and inputs through its audio pathway as if they were MS voices. MDE-X, on the other hand, is a dedicated effects plug-in in the traditional sense. You can select an algorithm from a pop-up menu on the left side of the plug-in window.

The name of the selected effects preset appears above the name of the current algorithm. When I clicked on it, I expected to see a pop-up menu for selecting additional presets, but none appeared.

I consulted the manual and learned that in order to choose from the list of presets, I needed to Control-click or right-click in Windows. It would be more intuitive if clicking on the preset”s name produced the preset list without the need for a modifier such as the Control key or the right mouse button.

MDE-X”s parameter controls, which appear on the right side of the plug-in”s window, are fairly extensive and easy to access. The choice of controls depends on the currently selected algorithm. For example, the 4-band EQ operates much like a dedicated EQ plug-in; in addition to toggling between peak and shelf types, it has four graphic breakpoints that you can click-and-drag to define your equalization curve.

The compressor offers look-ahead and trigger monitor functions, four sidechain types, a choice of RMS or peak detection, and other useful features. Only certain parameters, indicated visually by a ring around the corresponding knob, respond to MIDI control. I”m glad that Dynamic Modulation allows automation for certain parameters, but I wish that more simultaneous parameters were available to control.

Some algorithms, particularly reverb, don”t offer any real-time parameters at all. I realize that editing reverb parameters in real time consumes CPU cycles, but a user with a powerful computer might want that option.

MS-20/20 Vision

computer on which you’ve installed the KORG Legacy Collection. 18 after opening the package, please make sure that all of these items are present. If Stand-alone: an audio interface that supports Core Audio (the Macintosh’s inter-. Korg Legacy Collection DIGITAL EDITION – Virtual Software Reproductions of the M1 and WAVESTATION, Stand-Alone or Plug-In and the MDE-X Multi-Effect. KORG Legacy Collection Special Bundle [STANDALONE / VST / RTAS] v This set includes several synthesizers from KORG: MS

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VIDEO REVIEW: Korg Legacy Collection (Mac/Win) – EMusician

Korg Legacy Collection is a software and hardware bundle that In all, Legacy Collection has four standalone synth programs as well as VST. 年3月25日 KORG – Legacy Collection STANDALONE, VSTi, RTAS x86 x64 Special Bundle includes following softwares: MS-2 – Polysix – Mono/Poly – M1. Released in , the KORG Legacy Collection was a pioneer of software synthesizers. Featuring a sound offered by KORG. KORG Collection – Special Bundle. . KORG Collection is not just standalone software. As a plug-in*.

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Korg Legacy Collection Special Bundle Standalone

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